With comparisons to The Lovely Bones and a voice so affecting that it stays with you long after the page, it’s no surprise that Susan Stairs, The Story of Before is sweeping readers off their feet.
I sat down with the first time novelist to talk about fame, fiction and the writing life.
Susan Stairs has had a busy month. Following the launch of her first novel, The Story of Before in June, Susan has been everywhere, talking about writing, tragedy and character’s motivation. When we meet, she’s just in from a BBC NI interview. For a writer who is used to solitude, to be thrust headfirst into the limelight isn’t exactly easy,“It is difficult to deal with the whole circus, interviews, and everything,” she says.
It’s a complete change of pace from the year and a half the Dublin native spent writing the actual novel. “I started writing it during my MA. I submitted the first 15,000 words as my dissertation – so that was about five chapters”. Susan completed her MA in creative writing in UCD in 2009 and from then worked towards finishing her book.
The Story of Before is told by eleven year old Ruth, who has just moved from the City Centre to the suburbs of Dublin with her family. Ruth’s estate in the novel is so immersive it borders on claustrophobic, which is exactly what Susan was going for, “I didn’t want to have a lot of scenes happening anywhere else”.
On New Years Eve Ruth predicts that a ‘bad thing’ will happen that year. She cannot know how this will affect her family and truly change her life forever. With comparisons to the direct and moving story of Susie Salmon in The Lovely Bones, you’d be forgiven for thinking that Susan has been plugging away in the novel game for years, rather than a relative first-timer. The story that befalls Ruth and her family was always one that she wanted to tell, “The ‘tragic event’ of the novel had been on my mind for a long time and I knew that was what I wanted to write about. It was inspired by an event that really did happen. I always knew that was going to be the reveal,” Susan says.
“I was writing pretty much full time, while I was doing it. I sometimes look back and wonder, how did I do that when I had now idea what was going to happen to it. I never had a doubt in my mind that I was going to finish it. I mean I was writing a novel and I was finishing it,” she smiles. It wasn’t speed that got Susan through the process but determination, “I consider myself quite slow at writing, some days I would have only written 300 or 400 words, but I’m thinking all the time.”
And Susan’s mind didn’t let her rest, “I’m kind of my own worst enemy in that way – I’m terribly critical of what I’m doing. If something doesn’t sound right, even if it’s just one word I have to change it.” At the same time, when it came to editorial judgement Susan had to face ‘killing her darlings’ like every other writer too, “There were some parts that I had really laboured over and it was difficult to get rid of them but at the same time I could see why they needed to go”.
And even though a year and a half doesn’t seem that long to write a novel, Susan told me,“It seemed like forever to me, there are times when I think back on the hours that I put into it.” But what came out at the end is something truly special.
It still took a while for Susan to develop the story into Ruth’s distinctive voice, “Ruth was always a character, but I wasn’t sure whether I wanted to let this girl tell the story when she was older or as a child, but when I got my first line, “The others used to say I was psychic”, I knew this was a child talking and from then on it was very natural.”
Susan still had to navigate the pitfalls of writing as a child telling a very adult story, something that even the most experienced of writers struggle with, “When I was writing, I had to be her, I had to be an eleven year old Dublin girl in the seventies. It becomes very natural when you’re writing, your mind just switches into that mode, you become somebody else” And that brings its own restrictions too, “There were a lot of words I couldn’t use, which was restrictive because I would think ‘No, that won’t work’ – Ruth wouldn’t say that.’”
Whenever an author becomes so involved with a single character it becomes a part of their life, they eat, breathe and drink the world through their eyes, so it becomes very difficult to bring them the sort of hardship that in Ruth’s case, Susan knew was coming all along. “Absolutely, it was very difficult, to write the ‘bad thing’ I cried a lot when I was writing that part, definitely.
‘And when I decided on it, it was like watching your children do something bad – but you can’t do anything about it – and feeling responsible. So that was probably the hardest thing to do because I was so involved with these characters, I had created them and yet I was allowing this person to do this awful thing, so that was really hard.”
The care and love that Susan has put into the novel shows, Ruth is the kind of girl who lives right up your street and that makes her story feel so much more powerful for readers, who are already clamouring for a sequel. “I’ve always said no” Susan smiles, “But sometimes I think that you could resurrect characters from it, and take them down their own paths”.
Even her second novel, which she is currently working on, gained it’s inspiration from an event in The Story of Before.“What I’m writing now, was in some was inspired by one small thing in The Story of Before, there’s a letter that David sends to Ruth that she’s convinced isn’t true. That whole scenario opened up something for me and that has inspired number two”
And if it’s received anything like The Story of Before, Susan has nothing to worry about. “All the comments I’ve been getting have been great. The one phrase that people keep saying to me is ‘I couldn’t put it down’ and I’m absolutely chuffed to have people saying that to me, telling me that they can really identify with the setting and the time period”.
Susan’s success isn’t something that she takes lightly, the whole process was a long and required her to absolutely persevere, “I got so much advice when I was doing the MA. I wouldn’t have been able to do the novel if I hadn’t done the MA. I got great advice from Eilish Ni Dhuibhne, who was my tutor. And from the classes with James Ryan.” As she thinks about what it took to get her where she is today, Susan gives me some wise words of advice, “I always say to myself, you never see books in shops from authors who gave up, you see the books from authors who persevere.”
And Susan is a living example of that happy fact.
As published on writing.ie